DRAG: The Musical Sets World Premiere in Hollywood

Drag the musical

drag the musical

Liff’s theatrical background shines through and firmly places what could otherwise become a frivolous and gimmicky cash grab headlined by familiar personalities as a legitimately riveting theatrical event.
— Andrew Child | Broadway world

Rather than take you out of the material, choreographer Spencer Liff uses ASL as a way to amazingly imbue Duncan Sheik’s songs with even more passion and conviction.
— BILL KEITH I ENTERTAINMENT WEEKLY
Choreographer Spencer Liff is crucial to this brand-new incarnation of Hedwig. He draws inspiration from the likes of Iggy Pop, David Bowie & Tina Turner in creating Hedwig’s signature moves.
— EURTIS M. WONG | HUFFINGTON POST
Spencer Liff’s choreography incorporates signing and movement into perfectly coordinated sequences that seem completely organic to the narrative.
— F. KATHLEEN FOLEY | LA TIMES

Choreographer Spencer Liff Is ‘Head Over Heels’ For His Latest Broadway Show


The Master of Hands and Heels

Spencer Liff helped Neil Patrick Harris find his groove as Hedwig and turned sign language into dance for Deaf West’s Spring Awakening revival. Now he’s having the Best Time Ever.
— BRIAN SCHAEFER | OUT

Spring Awakening

It’s most apparent in a series of explosive production numbers, buoyantly staged by choreographer Spencer Liff. The rock-infused energy lifts up the entire enterprise. Cue the sign again, for heaven.
— PETER MARKS | THE WASHINGTON POST

'So You Think You Can Dance's Choreographer Spencer Liff Stays Focused on Innovation -- Balancing Projects on TV, Film, Broadway

SYTYCD

... there’s also fresh energy coursing through this polished presentation, due largely to the choreographic skill of Spencer Liff, a dance creator for Fox TV’s ‘So You Think You Can Dance’ and for such Broadway shows as ‘Falsettos’ and the Deaf West revival of ‘Spring Awakening’
— Daryl H. Miller | LA TIMES

Singing in the rain


HEDWIG and the angry inch

His dance moves feel like such a natural extension of Hedwig’s confrontational personality that you forget that they’ve been carefully choreographed by Spencer Liff.
— BEN BRANTLEY | THE NEW YORK TIMES